Saturday, 16 August 2008

Some submission questions

A comment on a previous post is worth a detailed reply to everyone, so here is the comment from Felicity Grace, and my reply:
Bob, I'm interested in your comment about nursing artists through the procedure. As it was my first time submitting, I was quite nervous about doing it right and what I might be doing wrong - perhaps you could write about the questions that arose so that we can all learn more? I had doubts about the quality of my scan (it never looks like the original - do judges take this into account? -but is it allowed, for instance, to enhance it if it actually looks closer to the original?, the amount of info required (bio and description) and whether asking too many questions would affect the outcome - in particular, I didn't want to look as if I was actually being pushy, trying to influence the process or just being stupid! Hunting for info at Scribbletalk was fruitless as most artists seemed to be veterans and therefore there was no discussion about the nitty gritty. Any chance of a 'submitting for dummies' post or perhaps something similar put into the files at the Yahoo group site?

Hi Felicity,

This comes up every year, and we try to have an article in "Talking Point" prior to submission about how best to do this. Just checking back, we seem to have missed that this year, so I will try to make sure something is included for next time.

To answer your questions immediately - judges can only judge the scan they are given, and cannot compare it with the original. They can't see the original. It is acceptable to make the scan look more like the original, by adjusting contrast, levels, colour cast in e.g. Photoshop, but is not acceptable to "improve" it beyond the original. The original may be rejected if it is found that the scan gave an unfair impression of it to the jury. All judging for prizes has so far been done by viewing the originals as they are hung in the gallery, but of course if your scan/photo is not good, it might not get that far.

The jury will never know what questions you have asked, how many phone calls you made to Pat, or how much you stressed over the entry. They will just judge what is put in front of them. One reason why we have three members of the jury is that this gives a fairer result - if a judge has a particular interest in portraits for example, he/she may look more favourably on these - or judge them more harshly! With three jurors, this is balanced out, we hope.

Where Pat did have some problems were with some artists who had sent poor photos - poorly lit, out of focus or at angles that distorted the picture - and with some artists who sent printouts of scans that had been folded or had become crumpled in the post. Each entry has to be copied three times to be sent to the jury members who are often on opposite sides of the globe. If the entry has creases across it, this is bound to be picked up and duplicated in the scanning process. Hence the comment about Pat ironing some entries before scanning them for the judges. By far the safest and most accurate and easiest way to submit, as far as Pat is concerned, is to send in a scan on a disc. Pat just needs then to print three copies of this at the size that she chooses, to fit on an A4 sheet. As long as the artist is happy with their scan, this should give the best result, as any other submission has to be re-scanned before being printed, and more errors are bound to creep in.

I am not surprised that there was no much discussion of this on Scribbletalk as that site is msotly populated by US artists and their submission process - see below - was very different to ours. There are many ways of judging whether pictures get into an exhibition. The most common is that you have to physically take the framed picture along to a panel of judges and let them see it there and then. By far the fairest method - but also a heck of a lot of work, often for just a disappointment. And not very green!

While we are on this - what do members think of the submission process chosen by the CPSA this year? Every entrant had to upload their entries onto a secure website, and the judge viewed them all on a monitor. To me this is very fair, and quite simple. And it certainly is a LOT less work for Pat, and a LOT cheaper. But is our membership computer literate enough for us to go that route?

Hope this answers your questions Felicity, and I am sure that Pat would be happy to give more details any time - except she is on a well deserved holiday at present!

Thursday, 14 August 2008

CPSA Results and UKCPS Success!


Julie Douglas "Dappled Son"


Many congratulations to Julie Douglas for becoming, to my knowledge, the first UK based member of the UKCPS to win an Award in the annual CPSA exhibition. Julie's picture, "Dappled Son", won a $500 Award for Outstanding Recognition - well done Julie! You can see the rest of the prizewinners here.


Julie actually flew out to Seattle when she heard that she was an award winner, so I am hoping that she will tell us all about it when she returns.

Friday, 1 August 2008

More CP Success

Janie Pirie - Strawberries

It is always great to hear of our members having some success with coloured pencils, so we are delighted to report that Janie Pirie won a Silver Gilt Medal for her 8 coloured pencil works showing soft fruits at the RHS Show that was part of the Gardener's World Live Show at the NEC in Birmingham in June. She was the only artist there showing coloured pencil works, and caused quite a stir. Well done Janie!

Praise also due to Gayle Mason, who had a work accepted into the National Exhibition of Wildlife Art on the Wirral for the second year running. Katherine Tyrrell has an extensive blog about this here and Gayle has her own blog, "Fur in the Paint", here.

Please let me know if you have had any success yourself with coloured pencil works - the more the merrier!

Tuesday, 15 July 2008

Some more bits

Richard Childs - "Out to Grass"


Richard is doing particularly well at present - his image "Out to Grass" has just won First place in the latest "From my Perspective" show run by Ann Kullberg, against some really stiff competition by famous CP artists, and has also been chosen by the Michael Elliott Trust "Freshfields" Donkey Sanctuary to help in their fund-raising. Richard will be at a Christmas Show at Buxton, Deryshire, for the Sanctuary, on December 13th, along with several donkeys - and Rolf Harris.


Other bits - another stockist of Prismacolor pencils has surfaced, from amongst our own members. Sonia Bowmar-Scothern, of 1buy1 Pencils based in Northampton writes:



I have the whole colour range of Prismacolor premier pencils in stock at the moment and have just started to sell a few Prismacolor Verithins. I have a few Karisma pencils listed on ebay also and over 100 (at a rough guess)not listed plus around 50 on their way. I also have a few coloured pencil art books listed and on order. Titles include Coloured Pencil Pocket Palette and the complete Colored Pencil Book. I can also get Prismacolor sets at a very good price

Her (low-budget) website is here and her e-bay page is here.

Next, some more good news from Derwent. I have been involved in the development of a new accessory that Derwent will be releasing on September 1st - their very own battery-operated eraser. I can honestly say that I like this a lot, it has a long chunky eraser that can be shaped, a powerful motor, a good carrier system that is not too fiddly to get at and lots of replacement erasers. The price is right too, at a RRP of £2.99p, with 30 replacement erasers for £0.99p. I think this one will fly off the shelves!

Finally, we just wanted to say how pleased we are about the entries for this year's Exhibition. We have had entries from almost 50% more artists, from 11 countries, and the total number of entries are 30% up on last year. Should be good news for the quality of the Exhibition! Great thanks are due to Pat Heffer, who has almost nursed some artists through our submission procedure, even going to the extent of ironing creases out of entries! This should not have been neccessary, but we do thank her for her "above and beyond the call of duty" efforts. The entries will be very soon with the judges. Best of luck to all!

Thursday, 26 June 2008

Some Winners - and a Competition


Yes, I know you have seen it before, but I never get tired of looking at it, and apparently neither does David Shepherd - because "Hope of Sepilok" by our very own Richard Childs has just won the "Wildlife Artist of the Year" award from the David Shepherd Wildlife Foundation. Many congratulations to Richard, for winning this prize in the face of strong competition from all other media - a real push for him in particular and CP in general. The photo below shows Richard receiving his prize from David Shepherd along with those well known artists Alan Titchmarsh and David Gower.



And yes, the Executive do realise that under our proposed new rules for exhibition entry for 2009, this picture would be excluded, as it is based on a reference photograph that Richard did not take himself. Obviously this takes nothing away from Richard's tremendous achievement, and we look forward to what he can do under our more stringent, but ultimately fairer rules in future.

Also congratulations to founder-member Gary Theobald, who has a two page feature in this months Artist & Illustrator magazine (August, No 263). Gary's Gallery in Haverhill is still the only one in the country committed to promoting coloured pencil work, and of course is worth a visit if you are in the area.

And finally a competition worth entering and supporting. The website My Arts Space is running a competition in conjunction with The Cumberland Pencil Museum for images for a 2009 calendar. They ask that images submitted should be in pencils or pastels, and show some aspect of the Lake District. The closing date for entries is the end of June, though voting for entries goes on to the end of July, and so far entries are a) sparse to say the least and b) many do not conform to the rules! So we have a good chance of getting some pictures published here! Even if you don't enter, you could visit the gallery of entries and vote for the ones submitted by our members Sue Clinker and Judith Crown. Thanks to Judith for bringing this to my attention.

Monday, 23 June 2008

More bits

It is a case of waiting until several mickles mak a muckle often! Here are three mickles that have come my way recently.

Paper People, based in Crediton, Devon, are one of the few suppliers of Prismacolor pencils in the UK, and the only one that I know of that can even offer singles. I have used them myself, so can recommend them. They also stock many other pencils, including Derwent, Faber Castell and Caran d'Ache. Go to "Coloured pencils 2" to find the Prismacolor, which are listed under "Karisma".

Aesthetica magazine have asked us to publicise their latest competition which is for artworks, poetry and fiction. The submission fee is £10 for five items and the prize is £500, so over to you if you want to take part.

Alyona Nickelsen, well known for her fabulous CP work and the author of "The Colored Pencil Painting Bible" due out in the Winter of 2008, has a new Online CP School that will open in Spetember, and is signing people up now. Alyona says:
There, we will present a variety of courses that will lead you through all of the detailed steps that we think will open new Colored Pencil Painting vistas previously available only after sitting through sometimes scores of Art Workshops. Our school is modeled on the atelier method of the Masters mixed with modern tools of the Internet never dreamed of in the Victorian age. If you are ready for a blast of new information on a timeline you can deal with then this completely different school is for you. The classes officially start September 1, 2008. This is perfect time to enroll and take advantage of ourlow introductory price (limited time only).

OK - more muckles as and when they come my way. Remember:

Closing Date for entries for UKCPS Exhibition: July 9th

Sunday, 15 June 2008

HM Queen opens new Derwent Factory


HM the Queen and HRH the Duke of Edinburgh opened the new Derwent pencil factory at Lillyhall Business Park, Workington, on June 5th - and got a lovely box of pencils for their trouble! Sorry it has taken me a while to get the pics of this up, but Patchings Art Festival was extremely tiring for me. Anyway, many congratulations to our friends at Derwent for such a prestigious opening, and for having a brand spanking new factory where they can produce even more wonderful pencils for us. One good point about the day from our perspective was that Her Majesty was introduced to at least one of our members - David Cook.


More pics on the Derwent site.
The Patchings Festival was very successful for the Society, mainly due to the efforts of Peter Weatherill, again, who made very useful contacts with our friends at Caran d'Ache. They had a special team over including their chief chemist, Eric Vitus, who was giving technical talks each day. Wish I could have gone! But it was also great to see many members, including Janet Pantry, Judith Waugh, Will Johnson, and probably loads of others. By Sunday I was kind of bleary!
I hope you are all now working hard to get your entry for this year's Exhibition finished - you have less than a month!

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